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Abstract

South Asian Dance Intersections is a progressive, scholarly, blind peer-reviewed, and digitally available open-access journal which seeks to publish a unique blend of original high-quality research in scholarly, choreographic, contemporary, community-building, and technical explorations within South Asian dance and its interdisciplinary intersections. It aims to bring together emerging and established voices in the field to carry forward pressing areas of discourse. This volume is themed around dance and hierarchies. Table of contents: Editorial: South Asian Dance Intersections by Arshiya Sethi, Editor-In-Chief; The Hierarchy of Parampara: Rethinking Relationship to Legacy in Dance by Aadya Kaktikar; Configuring the “Contemporary” in Indian Dance Through the Development Discourse: The Influence of Max Mueller Bhavan’s 1984 “East-West Dance Encounter” by Arushi Singh; Finding the Truth in Fiction by Gitanjali Kolanad; Weaving Odissi Feminine: A Malaysian Perspective by Ramli Ibrahim; Reorient the Orient: A Case Study by Lionel Popkin; Form, Identity, Dissent – Reclaiming the Critical Space by Preethi Athreya; Hypnagogia (Film) by R.K. Bitesh and Tushar Nongthombam; Imkaan (Photo Essay) by Sumedha Bhattacharyya and Hediyeh Azma; Crossing Barriers: Dance Unwound-A Conversation with Sushant Gaurav by Ajay Joshi

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