South Asian Dance Intersections is a progressive, scholarly, blind peer-reviewed, and digitally available open-access journal which seeks to publish a unique blend of original high-quality research in scholarly, choreographic, contemporary, community-building, and technical explorations within South Asian dance and its interdisciplinary intersections. It aims to bring together emerging and established voices in the field to carry forward pressing areas of discourse. This volume is themed around the issue of dance and censorship. This edition has a selection of essays—five journal-length articles and one brief review—from six countries—Pakistan, United States, United Kingdom, France, Australia, and India—and brings several new voices to the fore. Table of contents: Editorial: South Asian Dance Intersections, Arshiya Sethi; The Tale of a Choreographer, her Student, a River, and an Endangered Heritage: Indu Mitha’s Qaseeda-i-Ilm of Jamal/ An Ode to Wisdom and Beauty, Feriyal Amal Aslam; Teaching Dance as a Multi-Spatial/Multimedia Practice: Reflections on Devising Contemporary Dance Pedagogy in University Spaces, Meghna Bhardwaj; Roof/Room Pieces: An Ethnography of Lockdown Lives, and Digital Performances of Rabindranritya, Debanjali Biswas; Censorship and the Nationalization of Dance in India: An Overview from 1947 to the Present, Arundhati Chakravarty; When Bharatanatyam Moved from the Popular to the Classical, Deepa Mahadevan; SADI Feature: Hybrid Footprints, David McRuvie